5 Posing Tips For Unforgetable Portaits

How many have a camera pointed at them and suddenly you feel as awkward as you were in junior high looking to ask or be asked to your first dance. Then when you see the photos you see all the negative features you hate about yourself. Read this week's blog for
5 critical tips to posing for unforgettable portraits. I will let you in on secrets that will make you look 10 years younger and 15 pounds lighter, all without Photoshop.





1) Look at what's in your closet. Colour is key; you want what you wear to compliment your background. This means looking at a colour wheel, colours that lie close to each other are considered to be balanced and peaceful. Colours that are opposite are complementary, but not always in a pleasing fashion. Blue and yellow, almost opposite create very striking images, whereas green and red can clash very heavily. Keep this in mind when selecting clothing and makeup, or outfits when taking group portraits. You will want outfits to be balanced for a better photo.

2) Hair is next, what style is best for you. Wear what is comfortable for you and don't try a new style just before your session. If you don't like your neck line change it by using your hair. This is a brilliant technique. Never use your hair to "Frame" your face, it should be over one shoulder only and usually turning your head a little to the right, showing the left side of your face gives slimmer and shorter lines.



3) How much makeup is too much? This is mostly determined by the portrait style you are wanting. Glamorous photos in evening gowns and jewels should be complimented with darker and somewhat heavier makeup. If the upcoming shoot is just a casual jeans and blouse then wearing your standard amounts with a slight enhancement of the eyes and cheeks would look superb. Again if you have challenged areas then highlight or accent the areas you like to diminish the attributes you are not crazy about. When working in the Glam realm heavy accents of eyes or lips are good but never both.

Singing Artist KAT

4) Now the question "What do I do with my arms." Nothing looks more awkward then a person standing arms hanging at their side lifeless and sometimes even stiff. If you look at yourself in the mirror standing and admiring that new dress or shoes look at your arms. They are always slightly bent or maybe even crossed. These arm stances evoke emotion and your arms give out as much expression as your eyes.






5) Finally the single most important tip I can give. Usually people try to pull away from the camera they are trying to get away from it but when you do it creates double chin, tight expressions and a very poor photo. Photographers, professional or amateur, are telling you chin up and this isn't terrible advice but this pose does not look natural and you the subject tends to look stiff. The better way is to thrust your chin out. Now I don't mean force it out to the point where you look as stiff as your chin up, just a gentle little push forward, doing this reduces double chins and smooth's lines over your whole face giving you that slim jaw and neck.

Try using some or all of these tips and you will find your portraits look more natural and unforgettable.

Giving control to the clients: the editing process

You've been approached by a client. You've met with and hashed out the details of a shoot. You've shot amazing photos of the subject and now it's time to do some editing and wrestle with the age old question: what to keep, and what to discard?

In this new age of digital photography, there are some who firmly believe in setting the camera on auto  and firing away, relying on the law of averages to get some good shots.

But you call yourself a photographer, and when you're charging a client for your skills there'd better be more to it then that.

The last shoot I did was a family of three: mom, dad, and baby girl. In all honesty, there is no real way to screw that up. They were an extremely photogenic family, and they chose their nicely manicured backyard as the shoot location. I shot for about an hour, and ended with just under a hundred shots.

Then the real work starts: I returned home to do my editing.

First of all, I deleted any photos that were grossly out of focus, which brought me down about eighty shots. Not bad. After going through the remaining photos, I found myself with about thirty-five photos that I believe delivered the wow factor I'm looking for. Burn to disk. Deliver to client. Done!

Or so I thought.

During the shoot and just after, I showed a few of the shots to the clients on the camera LCD, just to give them a small taste and make sure I was still capturing in the style that they wanted. This is something I always do in shoots; clients are usually a bit apprehensive, and nobody is going to be as picky about their appearance as they are, so giving them a little taste is not a bad thing.

But with this particular shoot, my clients took that little taste a bit further. They remembered some of the shots I had shown them, which I was not happy enough with to include on the disk, and asked after them.

So we went through the rest of the photos together, I was stunned when they specifically requested copies of another twenty shots or so. Especially when dealing with a nine-month-old baby, there's always an element of surprise with candid shooting, and you can end up with some (shall we say) "unusual" facial expressions. These were shots that I took out, but when we went over the photos a second time, the parents thought that these expressions were natural and adorable. Even if they were kind of funny, they were shots the parents wanted to keep.

I've already talked about how it's important to keep your client in the loop when choosing the circumstances of a photo shoot, and this just goes to show how important it is to have the client's feedback. In the future, I'll try to include the client in the editing process as well. It's still important to go through and cut out any blurry or out-of-focus shots first, but when it comes to subject matter, who is the photographer to judge? Again, it's important to remember the client knows what they like; you only think you do.

Remember, as always, the client needs to be in charge -- especially with candid photography. This can be a hard place to work from, but clients are starting to look for an "interactive" experience with a photographer, instead of the traditional studio shoot. All too often you'll be the only one interacting with your photographs, and you won't always have the opportunity to ask your subject what they think of the final piece. When you can ask a second opinion, do so. Involving the client will end in a more relaxed atmosphere, better photographs and a completely customized experience for your client.

Giving control to the client: candid photography

As a photographer there are many clients that we meet with on a regular basis. You might be a studio photographer and have people come to you. Maybe you're a magazine or newspaper photographer who freelances for a variety of publications. Or maybe, like me, you do a little bit of everything and wear a variety of hats. This week I did some portrait work, and I discovered that I'm photographer who prefers candid photos to formal poses.

Candid portraiture is a bit of an emerging area of photography, and the type of portrait photography I like looking at and shooting best. There are some very special shots out there to take if you watch for them and are ready to shoot, and I find that catching candid moments can be far more effective than putting people in poses and expecting them to smile.

The problem with candid portraiture, however, is relaying that style to a prospective client. When people hear the phrase "portrait photographer," their first thought is a studio environment -- and it takes some time for them to wrap their head around this candid philosophy.

I met with clients the other day who fell into this type of category. This wasn't their first time hiring a professional photographer, and they actually have a portrait sitting two or three times a year. They've had the studio experience, had portraits taken on a cruise ship, and a variety of portrait experiences. Our session together was definitely not their first time at the rodeo.

But before this, they had always been told where to be, how to stand, when to smile, what to do with their hands -- and so on. Do they have some amazing shots to show? Absolutely. That style of photography produces very nice, traditional shots that will stand up to the test of time.

But that's not my style of portrait. I'm a candid photographer, and I don't want to control anything.

So when they asked me where I preferred to do the photo shoot, I gave them an answer they probably weren't expecting.

"I've only known you folks for about five minutes," I said. "What gives me the right to tell you what you will like in an environment? What are your ideas?"

What a difference that made in the rest of our time together.

After they warmed up to the fact that they were in charge and I was there to capture their moments without interfering, the ideas came flooding out. Given the chance to explore and make their own decisions, they came up with about a thousand concepts and ideas in terms of locations, clothing choices, and subjects -- meaning their dogs were included in the photos.

This is great creatively speaking, because they'll end up with exactly what they want. But on the other side of things, this is also a great place to be in as a business: we likely won't be able to tackle all these ideas in one session, and assuming they're pleased with how the photos turn out the first time, they'll automatically turn into repeat customers. They'll not only be pleased with how the photos turned out, but proud of the role they played in the shoot -- meaning the photos will hopefully be passed around more so than they would normally and the name of my business will spread by word of mouth.

Keep this in mind. Find your niche market, study it, create it if you need to, and ultimately stay true to it. As I've said before, there are certain aspects of your business that define you as a professional. Stay true to those areas, so when a client hears about you and your work they will get the same experience and energy you provided for the person they heard about you from.