Sardis Digital Clickers

I have had a lot of time consumed lately with a new project. Coming in September I will be facilitating a camera club/learning program. Meeting the third Tuesday of every month at Sardis Library, in my home town of Chilliwack BC, we will have fun learning and exploring all aspect of photography.

http://www.fvrl.bc.ca/programs.php?programType=All&fromDate=&status=1&programSearch=Search+for+Programs&library=Sardis&toDate=

So if you want to learn more about how to capture great moments, or some editing techniques, or just want to help others please come down and check it out. Oh and don't forget your coffee/tea and your camera.

For now I will leave you with an image I shot 3 years ago. It was quite dull and bland until I found a mask technique called luminosity masking. Pretty powerful editing style.

Vancouver Skyline

Hope you like it.

Number One Reason Not to Throw Away

Sometimes when you take a photo and look at it there is no feeling, no emotion. The photo just falls flat and dull. Throw it away. That's it save some room on your hard drive and DELETE. OMG did I just say that. What I really meant was keep it, save it, cherish it, and look at it at a different time. Today I will show exactly what I mean. I took a photo that was that dull, delete photo but looking at it later I found a surprise in that photo. That never would happen if I just hit delete. Read on to learn more.

Very often when you are out shooting you pop off a couple hundred photos. You know that there will be some jewels in that mix and you will see them right away. Others are blurry and out of focus and just not usable. Then there are the questionable photos. These photos are what I refer to as Facebook quality, standard snap shot. Nothing special. What if they are, can you see them in a different light?

Take this photo I shot recently. The performer is an amazing "Crooner" Ron Boudreau. I approached him about a month ago to take some photos of his performance and he invited me back to his latest show at Chances Casino. After sifting through about 300 photos for the evening this one struck me as not bad, but not emotion evoking.




I scrolled through the photos a few times and this photo just kept calling me. I loved the expression on his face, the background has a quality of interest but too busy for the performer. It wanted something, so I sat for a long time and really looked at it. Since it was loaded into Lightroom I finally just started playing with some of the sliders and cropping.

First off let's minimize the back ground some and move the subject to the left third of the photo. Next we need to fix the exposure some and finally let's go black and white. Some photos just lend themselves to that one treatment. It's not something that should be used every time but that was exactly what this photo kept saying to me. It matched the performer, the location, and the lighting.

Here is the result and I don't think anyone would be disappointed in this.

And there it is folks. DO NOT throw away a photo that is on the border just sit quietly and let the photo tell you what it needs. Not every photo will but sometimes you will find that jewel in the rough

Focus Behind the Camera? Sure.

Ever hear of back button focus? No? What is it? Is it important? Why would I use it? Answers to these questions and more will be answered in this week's blog. Read on for 100 reasons why back button photography is the way to go and how to set it up.

When you are composing a photograph you as the photographer have the ability to choose where your camera will focus. If you are using a canon you will most likely have nine different points to choose from and three different focus types.

First let's address the focus types. The most common one to use is single shot. When using this mode you depress the shutter part way down your lens auto focus takes over and you press the shutter button all the way and presto a perfect photo:) The next option is AI focus. Much like single shot depress the shutter part way and the camera will auto focus on the point or points you have chosen. The nice thing with this mode is if you continue to depress the shutter part way and you subject moves you auto focus continues to track that subject and stay focused till you snap the shot. Last is AI Servo. In this mode your auto focus will track the subject constantly and even "learn" what it should be focusing on. Now this technology sounds amazing, and it is, until you start recomposing your shot and your camera tracks everything except the subject you want to shoot. Step in back button focus.

Through your camera menu settings you can disable the shutter button for focus and use one of the buttons on the back to focus with. Now you may ask yourself "why would I do that shutter focus is obviously the best way and that's why the camera company uses this default" right? Wrong. Camera companies use this feature because using a shutter button is normal practice and has been since cameras were invented, but remember the camera of our fathers and grandmothers did not have auto focus. Focus was gotten by turning a dial on the lens to bring the elements into alignment thereby achieving a crisp clean focus. Now with the flip of a switch and a press of a button a little red light appears in your view finder telling you the focus is perfect on your subject. So enough history, why use back button focus?

Look through your viewfinder at your subject, press your shutter part way down, look at the little red light in your viewfinder flash as your auto focus locks on to your subject, recompose, shoot. Now shot two. Look through your viewfinder at your subject, press your shutter part way down, look at the little red light. Get my point? This is very time consuming. Now change your camera to back button focus. Look through the viewfinder, press your back button, recompose and shoot. As long as your subject stays the same distance away from your lens you can recompose and shoot to your heart's content. This is the true beauty your shutter no longer has any use except what it should be for, activating the shutter, not focusing. If you choose to use your AI Servo mode you will find that again because it is independent of your shutter tracking your subject will be smoother and pressing your shutter button will be more fluid and controlled.

Anyway sorry for the lack of recent blogs. I hope you go out and try this new style of using your camera and as always I look forward to hearing your comments and getting your emails. Till next time.

Histo What

Have you seen or heard of the histogram on your camera? Do you know what it is and when or how to use it? Is this an easy thing to learn and remember? Read on in this week's edition to find out the what, when, and why of using this very valuable tool on your camera.

When you take a picture using the LCD screen on your camera you see a LCD depiction of what that photo looks like. How often though do you look at it and say to yourself that photo looks amazing only to go home load it onto your computer and say what a bunch of crap. This photo is way too dark or light. This is when knowing how to read a histogram becomes so important.

Let's start with how to show the histogram on your LCD screen. On a canon camera when you choose view photo you can then press the info button on the back left hand side of the camera body. Nikon users will have to look it up in your manual but it should be similar. As you click through you see a variety of views from shutter count to RGB and then there is histogram view.

Now that you can see your histogram let's talk about what it is and how to read it. The histogram shows the tonal range of a photo. That is the dark, the light, and the neutral. On the left hand side is the dark or black, on the right hand side is the light or white, and the middle ground is the neutrals and grays. When you take your photo what you want to see is a nice balance over all three sections right? Wrong. This is where most articles confuse you and I will try to keep it simple.


Look at what you are shooting before you press the shutter. Consider what tonal ranges are in your photo. If you are shooting on a very bright day and a lot of the subject is white you will see a stacking like a spike on the right side of your histogram. If your subject is a full third black or very dark then the histogram will stack to the left. It's only when everything is kind of equal across the range you see a nice balance across the histogram.

You can see in these three examples exactly what I'm talking about. The top photo the range is fairly balanced with a small spike in the middle and a large spike on the right. The spike on the right is the "blown out" sky. Blown out refers to the loss of digital information. The sensor is so overwhelmed there is no information to read on that far side.




This photo represents the tonal mid-range. There are a few spikes and those would be the sparkle off the dress and the clouds.






Finally A photo with the histogram pressed heavily to the left. With all this black there is no information to read.





As you can see from the examples reading a histogram is not really that difficult. Look at your shot watching for what you expect the histogram to read like, really bright, really black, or neutral and then expose for that using aperture, shutter speed or ISO

A Question of Perspective

Photographs can be very subjective. I slight change in crop, or a tilt of the camera can take the same subject and change the entire emotional feel of a photograph. Read this week's blog for some examples of this very thing.

A photo is the creation of an incredible moment. That moment might be happy, sad, thought provoking, or any other emotion you as the photographer would like to convey. But how exactly do you convey that message. It's all a question of perspective.







 Take for example the photo here. I feel like I'm being drawn in wanting to see what's around that little jog in the path. What wonders will I find in this overgrown greenery?











Now these two are interesting, the same model, and the same location two very different emotions. On the right the model is looking at something to his right. We don't know what it is but he is obviously curious about it. This opens up the viewer's mind to wonder what is interesting just out of view. Similar to the path above but no longer in the first person.




The photo below gives the feeling of sadness and depression. By shooting just above the subject and removing any reference of greenery, and focusing on the graffiti, we now have a sad depressed individual who we worry about.

There it is in a nut shell. A question of perspective. 3 photos, two of the same location and subject, but with entirely different emotions, feeling, and interpretations.





Let me know what you see and feel in the comment section below. I'm sure your perspective will be different than mine.

5 Posing Tips For Unforgetable Portaits

How many have a camera pointed at them and suddenly you feel as awkward as you were in junior high looking to ask or be asked to your first dance. Then when you see the photos you see all the negative features you hate about yourself. Read this week's blog for
5 critical tips to posing for unforgettable portraits. I will let you in on secrets that will make you look 10 years younger and 15 pounds lighter, all without Photoshop.





1) Look at what's in your closet. Colour is key; you want what you wear to compliment your background. This means looking at a colour wheel, colours that lie close to each other are considered to be balanced and peaceful. Colours that are opposite are complementary, but not always in a pleasing fashion. Blue and yellow, almost opposite create very striking images, whereas green and red can clash very heavily. Keep this in mind when selecting clothing and makeup, or outfits when taking group portraits. You will want outfits to be balanced for a better photo.

2) Hair is next, what style is best for you. Wear what is comfortable for you and don't try a new style just before your session. If you don't like your neck line change it by using your hair. This is a brilliant technique. Never use your hair to "Frame" your face, it should be over one shoulder only and usually turning your head a little to the right, showing the left side of your face gives slimmer and shorter lines.



3) How much makeup is too much? This is mostly determined by the portrait style you are wanting. Glamorous photos in evening gowns and jewels should be complimented with darker and somewhat heavier makeup. If the upcoming shoot is just a casual jeans and blouse then wearing your standard amounts with a slight enhancement of the eyes and cheeks would look superb. Again if you have challenged areas then highlight or accent the areas you like to diminish the attributes you are not crazy about. When working in the Glam realm heavy accents of eyes or lips are good but never both.

Singing Artist KAT

4) Now the question "What do I do with my arms." Nothing looks more awkward then a person standing arms hanging at their side lifeless and sometimes even stiff. If you look at yourself in the mirror standing and admiring that new dress or shoes look at your arms. They are always slightly bent or maybe even crossed. These arm stances evoke emotion and your arms give out as much expression as your eyes.






5) Finally the single most important tip I can give. Usually people try to pull away from the camera they are trying to get away from it but when you do it creates double chin, tight expressions and a very poor photo. Photographers, professional or amateur, are telling you chin up and this isn't terrible advice but this pose does not look natural and you the subject tends to look stiff. The better way is to thrust your chin out. Now I don't mean force it out to the point where you look as stiff as your chin up, just a gentle little push forward, doing this reduces double chins and smooth's lines over your whole face giving you that slim jaw and neck.

Try using some or all of these tips and you will find your portraits look more natural and unforgettable.

Lose Weight & Take Better Photos

What the heck are you talking about? Lose weight, Photography, not even related, or is it. Well when you have a desire to do something then you challenge yourself to stretch out and learn, overcome, or just plain move out of your comfort zone. That's what this week's blog is all about moving from your comfort zone.

Now I certainly will not profess to be an exercise guru. That's not who I am and in fact I am comfortably overweight by about 30 pounds (ish), but I can change that. I am, however a good photographer and I can change that as well. If I want to lose weight what do I need to do, control the amount I eat and exercise. If I want to become an excellent photographer, not just a good one what do I need to do, increase the amount I shoot and exercise my creative side. Now how does exercising and improving your photography skills go together, let me explain.

This photo, that appeared in last
week's blog about creativity, was taken from the side of the road not that far from my home. It is a photo of Mount Slesse, in the Fraser Valley, and represents a lazy photo. Although it was what was needed for me to get out of my slump it was not active. I did not have to work for it, it was there waiting for me. I could drive to the location I visualised set up my equipment and shoot away.




The photo of the alpine meadows represents the fit photographer. Also taken not far from my home, this is a meadow on Mount Cheam, which dominates the eastern Fraser Valley. If you want to visit this splendid area put on your hiking boots and check out this website http://www.trailpeak.com/trail-Mt-Cheam-near-Chilliwack-BC-538 you won't be disappointed.




To get to this meadow you will need a 4x4 and the whole day. You will drive about 90 minutes followed by a major hike before descending back down to Chilliwack. Due to the difficult nature of this location you will need to be very selective about what equipment you bring. Pack light (lose the weight) or it will be a very very long day.


That's all there is to it folks want to become a better photographer and get fit go out and explore. You could stay indoors use your flash do some interesting stuff, or you can go out, wander around and lose yourself in the wonders Mother Nature has provided for us to shoot. These are the memories to create and the pictures to make. I don't think there is anything better. Start becoming a great photographer today by exploring one shutter click at a time.