Sometimes when you take a photo and look at it there is no feeling, no emotion. The photo just falls flat and dull. Throw it away. That's it save some room on your hard drive and DELETE. OMG did I just say that. What I really meant was keep it, save it, cherish it, and look at it at a different time. Today I will show exactly what I mean. I took a photo that was that dull, delete photo but looking at it later I found a surprise in that photo. That never would happen if I just hit delete. Read on to learn more.
Very often when you are out shooting you pop off a couple hundred photos. You know that there will be some jewels in that mix and you will see them right away. Others are blurry and out of focus and just not usable. Then there are the questionable photos. These photos are what I refer to as Facebook quality, standard snap shot. Nothing special. What if they are, can you see them in a different light?
Take this photo I shot recently. The performer is an amazing "Crooner" Ron Boudreau. I approached him about a month ago to take some photos of his performance and he invited me back to his latest show at Chances Casino. After sifting through about 300 photos for the evening this one struck me as not bad, but not emotion evoking.
I scrolled through the photos a few times and this photo just kept calling me. I loved the expression on his face, the background has a quality of interest but too busy for the performer. It wanted something, so I sat for a long time and really looked at it. Since it was loaded into Lightroom I finally just started playing with some of the sliders and cropping.
First off let's minimize the back ground some and move the subject to the left third of the photo. Next we need to fix the exposure some and finally let's go black and white. Some photos just lend themselves to that one treatment. It's not something that should be used every time but that was exactly what this photo kept saying to me. It matched the performer, the location, and the lighting.
Here is the result and I don't think anyone would be disappointed in this.
And there it is folks. DO NOT throw away a photo that is on the border just sit quietly and let the photo tell you what it needs. Not every photo will but sometimes you will find that jewel in the rough
Sunday, 27 April 2014
Tuesday, 8 April 2014
Focus Behind the Camera? Sure.
Ever hear of back button focus? No? What is it? Is it important? Why would I use it? Answers to these questions and more will be answered in this week's blog. Read on for 100 reasons why back button photography is the way to go and how to set it up.
When you are composing a photograph you as the photographer have the ability to choose where your camera will focus. If you are using a canon you will most likely have nine different points to choose from and three different focus types.
First let's address the focus types. The most common one to use is single shot. When using this mode you depress the shutter part way down your lens auto focus takes over and you press the shutter button all the way and presto a perfect photo:) The next option is AI focus. Much like single shot depress the shutter part way and the camera will auto focus on the point or points you have chosen. The nice thing with this mode is if you continue to depress the shutter part way and you subject moves you auto focus continues to track that subject and stay focused till you snap the shot. Last is AI Servo. In this mode your auto focus will track the subject constantly and even "learn" what it should be focusing on. Now this technology sounds amazing, and it is, until you start recomposing your shot and your camera tracks everything except the subject you want to shoot. Step in back button focus.
Through your camera menu settings you can disable the shutter button for focus and use one of the buttons on the back to focus with. Now you may ask yourself "why would I do that shutter focus is obviously the best way and that's why the camera company uses this default" right? Wrong. Camera companies use this feature because using a shutter button is normal practice and has been since cameras were invented, but remember the camera of our fathers and grandmothers did not have auto focus. Focus was gotten by turning a dial on the lens to bring the elements into alignment thereby achieving a crisp clean focus. Now with the flip of a switch and a press of a button a little red light appears in your view finder telling you the focus is perfect on your subject. So enough history, why use back button focus?
Look through your viewfinder at your subject, press your shutter part way down, look at the little red light in your viewfinder flash as your auto focus locks on to your subject, recompose, shoot. Now shot two. Look through your viewfinder at your subject, press your shutter part way down, look at the little red light. Get my point? This is very time consuming. Now change your camera to back button focus. Look through the viewfinder, press your back button, recompose and shoot. As long as your subject stays the same distance away from your lens you can recompose and shoot to your heart's content. This is the true beauty your shutter no longer has any use except what it should be for, activating the shutter, not focusing. If you choose to use your AI Servo mode you will find that again because it is independent of your shutter tracking your subject will be smoother and pressing your shutter button will be more fluid and controlled.
Anyway sorry for the lack of recent blogs. I hope you go out and try this new style of using your camera and as always I look forward to hearing your comments and getting your emails. Till next time.
When you are composing a photograph you as the photographer have the ability to choose where your camera will focus. If you are using a canon you will most likely have nine different points to choose from and three different focus types.
First let's address the focus types. The most common one to use is single shot. When using this mode you depress the shutter part way down your lens auto focus takes over and you press the shutter button all the way and presto a perfect photo:) The next option is AI focus. Much like single shot depress the shutter part way and the camera will auto focus on the point or points you have chosen. The nice thing with this mode is if you continue to depress the shutter part way and you subject moves you auto focus continues to track that subject and stay focused till you snap the shot. Last is AI Servo. In this mode your auto focus will track the subject constantly and even "learn" what it should be focusing on. Now this technology sounds amazing, and it is, until you start recomposing your shot and your camera tracks everything except the subject you want to shoot. Step in back button focus.
Through your camera menu settings you can disable the shutter button for focus and use one of the buttons on the back to focus with. Now you may ask yourself "why would I do that shutter focus is obviously the best way and that's why the camera company uses this default" right? Wrong. Camera companies use this feature because using a shutter button is normal practice and has been since cameras were invented, but remember the camera of our fathers and grandmothers did not have auto focus. Focus was gotten by turning a dial on the lens to bring the elements into alignment thereby achieving a crisp clean focus. Now with the flip of a switch and a press of a button a little red light appears in your view finder telling you the focus is perfect on your subject. So enough history, why use back button focus?
Look through your viewfinder at your subject, press your shutter part way down, look at the little red light in your viewfinder flash as your auto focus locks on to your subject, recompose, shoot. Now shot two. Look through your viewfinder at your subject, press your shutter part way down, look at the little red light. Get my point? This is very time consuming. Now change your camera to back button focus. Look through the viewfinder, press your back button, recompose and shoot. As long as your subject stays the same distance away from your lens you can recompose and shoot to your heart's content. This is the true beauty your shutter no longer has any use except what it should be for, activating the shutter, not focusing. If you choose to use your AI Servo mode you will find that again because it is independent of your shutter tracking your subject will be smoother and pressing your shutter button will be more fluid and controlled.
Anyway sorry for the lack of recent blogs. I hope you go out and try this new style of using your camera and as always I look forward to hearing your comments and getting your emails. Till next time.
Saturday, 15 March 2014
Histo What
Have you seen or heard of the histogram on your camera? Do you know what it is and when or how to use it? Is this an easy thing to learn and remember? Read on in this week's edition to find out the what, when, and why of using this very valuable tool on your camera.
When you take a picture using the LCD screen on your camera you see a LCD depiction of what that photo looks like. How often though do you look at it and say to yourself that photo looks amazing only to go home load it onto your computer and say what a bunch of crap. This photo is way too dark or light. This is when knowing how to read a histogram becomes so important.
Let's start with how to show the histogram on your LCD screen. On a canon camera when you choose view photo you can then press the info button on the back left hand side of the camera body. Nikon users will have to look it up in your manual but it should be similar. As you click through you see a variety of views from shutter count to RGB and then there is histogram view.
Now that you can see your histogram let's talk about what it is and how to read it. The histogram shows the tonal range of a photo. That is the dark, the light, and the neutral. On the left hand side is the dark or black, on the right hand side is the light or white, and the middle ground is the neutrals and grays. When you take your photo what you want to see is a nice balance over all three sections right? Wrong. This is where most articles confuse you and I will try to keep it simple.
Look at what you are shooting before you press the shutter. Consider what tonal ranges are in your photo. If you are shooting on a very bright day and a lot of the subject is white you will see a stacking like a spike on the right side of your histogram. If your subject is a full third black or very dark then the histogram will stack to the left. It's only when everything is kind of equal across the range you see a nice balance across the histogram.

You can see in these three examples exactly what I'm talking about. The top photo the range is fairly balanced with a small spike in the middle and a large spike on the right. The spike on the right is the "blown out" sky. Blown out refers to the loss of digital information. The sensor is so overwhelmed there is no information to read on that far side.
This photo represents the tonal mid-range. There are a few spikes and those would be the sparkle off the dress and the clouds.

Finally A photo with the histogram pressed heavily to the left. With all this black there is no information to read.
As you can see from the examples reading a histogram is not really that difficult. Look at your shot watching for what you expect the histogram to read like, really bright, really black, or neutral and then expose for that using aperture, shutter speed or ISO
When you take a picture using the LCD screen on your camera you see a LCD depiction of what that photo looks like. How often though do you look at it and say to yourself that photo looks amazing only to go home load it onto your computer and say what a bunch of crap. This photo is way too dark or light. This is when knowing how to read a histogram becomes so important.
Let's start with how to show the histogram on your LCD screen. On a canon camera when you choose view photo you can then press the info button on the back left hand side of the camera body. Nikon users will have to look it up in your manual but it should be similar. As you click through you see a variety of views from shutter count to RGB and then there is histogram view.
Now that you can see your histogram let's talk about what it is and how to read it. The histogram shows the tonal range of a photo. That is the dark, the light, and the neutral. On the left hand side is the dark or black, on the right hand side is the light or white, and the middle ground is the neutrals and grays. When you take your photo what you want to see is a nice balance over all three sections right? Wrong. This is where most articles confuse you and I will try to keep it simple.
Look at what you are shooting before you press the shutter. Consider what tonal ranges are in your photo. If you are shooting on a very bright day and a lot of the subject is white you will see a stacking like a spike on the right side of your histogram. If your subject is a full third black or very dark then the histogram will stack to the left. It's only when everything is kind of equal across the range you see a nice balance across the histogram.
You can see in these three examples exactly what I'm talking about. The top photo the range is fairly balanced with a small spike in the middle and a large spike on the right. The spike on the right is the "blown out" sky. Blown out refers to the loss of digital information. The sensor is so overwhelmed there is no information to read on that far side.
This photo represents the tonal mid-range. There are a few spikes and those would be the sparkle off the dress and the clouds.
Finally A photo with the histogram pressed heavily to the left. With all this black there is no information to read.
As you can see from the examples reading a histogram is not really that difficult. Look at your shot watching for what you expect the histogram to read like, really bright, really black, or neutral and then expose for that using aperture, shutter speed or ISO
Thursday, 6 March 2014
A Question of Perspective
Photographs can be very subjective. I slight change in crop, or a tilt of the camera can take the same subject and change the entire emotional feel of a photograph. Read this week's blog for some examples of this very thing.
A photo is the creation of an incredible moment. That moment might be happy, sad, thought provoking, or any other emotion you as the photographer would like to convey. But how exactly do you convey that message. It's all a question of perspective.

Take for example the photo here. I feel like I'm being drawn in wanting to see what's around that little jog in the path. What wonders will I find in this overgrown greenery?

Now these two are interesting, the same model, and the same location two very different emotions. On the right the model is looking at something to his right. We don't know what it is but he is obviously curious about it. This opens up the viewer's mind to wonder what is interesting just out of view. Similar to the path above but no longer in the first person.
The photo below gives the feeling of sadness and depression. By shooting just above the subject and removing any reference of greenery, and focusing on the graffiti, we now have a sad depressed individual who we worry about.

There it is in a nut shell. A question of perspective. 3 photos, two of the same location and subject, but with entirely different emotions, feeling, and interpretations.
Let me know what you see and feel in the comment section below. I'm sure your perspective will be different than mine.
A photo is the creation of an incredible moment. That moment might be happy, sad, thought provoking, or any other emotion you as the photographer would like to convey. But how exactly do you convey that message. It's all a question of perspective.

Take for example the photo here. I feel like I'm being drawn in wanting to see what's around that little jog in the path. What wonders will I find in this overgrown greenery?

Now these two are interesting, the same model, and the same location two very different emotions. On the right the model is looking at something to his right. We don't know what it is but he is obviously curious about it. This opens up the viewer's mind to wonder what is interesting just out of view. Similar to the path above but no longer in the first person.
The photo below gives the feeling of sadness and depression. By shooting just above the subject and removing any reference of greenery, and focusing on the graffiti, we now have a sad depressed individual who we worry about.

There it is in a nut shell. A question of perspective. 3 photos, two of the same location and subject, but with entirely different emotions, feeling, and interpretations.
Let me know what you see and feel in the comment section below. I'm sure your perspective will be different than mine.
Monday, 24 February 2014
Destination Kelowna
There is nothing like getting away and exploring a new environment. I had the opportunity recently to take my family away to Kelowna BC for BC's Family Day weekend. Read on to hear about some of the experiences we had, from places to stay and things to do.
Starting with our accommodations. We booked with Vacation By Owner which as of the third attempt was a great success. We stayed at Playa Del Sol in Kelowna's Mission District. Now I will say dealing with VRBO was somewhat trying and we did start our adventure off by thinking we had made a mistake. When I booked the first condo I received confirmation back very quickly and 2 days after providing the information required for a contract was informed that this unit had been double booked and was not actually available. The second attempt showed the unit as available but found out quickly it was not available either. I did consider giving up all together; however the other adventures we were looking forward to in Kelowna had already been booked as of the first confirmation.
Third time is the charm. We contacted the last person and new right away we were in the right place. The owner was professional, prompt and personable. The three P's are so important to me. We accepted the contract and were off to our Kelowna adventure.
The condo we rented was a lovely 2 bedrooms plus den, but the den had been converted to a third bedroom. The master had a king size bed and the other two rooms had queens. There was even a pull-out couch if you needed it.
Kitchen was well equipped with cookware enough to create some delightful dinners including eggs Benedict for breakfast, and my wife made tasty pineapple angel food cupcakes.

When in Kelowna in the winter no trip is complete without a trip to Big White Ski Village. We went up on the Saturday and were welcomed to fantastic interior BC powdery snow and crystal blue skies. One of my sons, an avid snowboarder, allowed me to capture this shot of his expertise. Now unfortunately I missed him face planting into the snow as he missed his landing, but exploiting what your kids give you is just part of the game.

We headed to The Bull Wheel for lunch. If you get up there the two absolute musts are the lobster chowder and the best wings I've ever eaten.
We ended the holiday in Kelowna with an exceptionally competitive round of mini golf or as my youngest calls it small golf.
So there it is. A holiday in a nut shell. Get out and enjoy your time with family, friends, or whoever. Life is always what you make it so make some memories today. Oh and try to photograph some of them too.
Starting with our accommodations. We booked with Vacation By Owner which as of the third attempt was a great success. We stayed at Playa Del Sol in Kelowna's Mission District. Now I will say dealing with VRBO was somewhat trying and we did start our adventure off by thinking we had made a mistake. When I booked the first condo I received confirmation back very quickly and 2 days after providing the information required for a contract was informed that this unit had been double booked and was not actually available. The second attempt showed the unit as available but found out quickly it was not available either. I did consider giving up all together; however the other adventures we were looking forward to in Kelowna had already been booked as of the first confirmation.
Third time is the charm. We contacted the last person and new right away we were in the right place. The owner was professional, prompt and personable. The three P's are so important to me. We accepted the contract and were off to our Kelowna adventure.
The condo we rented was a lovely 2 bedrooms plus den, but the den had been converted to a third bedroom. The master had a king size bed and the other two rooms had queens. There was even a pull-out couch if you needed it.Kitchen was well equipped with cookware enough to create some delightful dinners including eggs Benedict for breakfast, and my wife made tasty pineapple angel food cupcakes.

When in Kelowna in the winter no trip is complete without a trip to Big White Ski Village. We went up on the Saturday and were welcomed to fantastic interior BC powdery snow and crystal blue skies. One of my sons, an avid snowboarder, allowed me to capture this shot of his expertise. Now unfortunately I missed him face planting into the snow as he missed his landing, but exploiting what your kids give you is just part of the game.

We headed to The Bull Wheel for lunch. If you get up there the two absolute musts are the lobster chowder and the best wings I've ever eaten.
We ended the holiday in Kelowna with an exceptionally competitive round of mini golf or as my youngest calls it small golf.
So there it is. A holiday in a nut shell. Get out and enjoy your time with family, friends, or whoever. Life is always what you make it so make some memories today. Oh and try to photograph some of them too.
Labels:
big wite,
christopher films,
destination,
destination photography,
family photos,
field trip,
food photos,
holiday,
kelowna,
shoot location,
ski photos,
venue photos
Location:
Kelowna, BC, Canada
Monday, 17 February 2014
The Importance Of Backing Up
Help I was installing a new program on my computer and now I have a blue screen. What do I do? How many times have you heard this happen or maybe even had it happen to you. Read on in this week's blog to learn the importance of backing up your photos. Take some time to get it done before it's too late.
Catastrophic failures happen every day in life. From hard drive failures on your computer to the tragedy of a house fire, and almost every time one of these unfortunate events takes place the words you hear most are "What about all my pictures." We are a very visual species and we cherish our memories that are usually immortalised in a photo or video and when we lose those we feel a great emptiness. Why is it then that we don't look after these things better?
Today's digital age is allowing options for looking after our photos that never existed to our forefathers. I use my laptop as a first copy of all my photos. I then back them up immediately onto my external hard drive that stays in my laptop bag, when not in use, so if something happens to my home then I can hopefully grab that one bag and exit my home. From there I burn my photos monthly to DVD and have two copies. One stays at my home and the other off site.
There are other options such as clouds, multiple hard drives, and others. What works for one may not work for another, a cloud for instance would not work for me due to the sheer volume of photos I would be trying to store. The important thing here is to remember have at minimum two copies of your cherished photos, you don't want to be a statistic of someone else who lost all their photographic memories.
The second part of backing up your photos is keeping them organised. One way is create a catalogue system according to shoot date. My system is to save all my photos on my laptop and external hard drive at the same time according to year_month_day_and description of the shot. You can see this below.
Another great tool is a catalogue similar to Adobe Lightroom. With this program you can attach "keywords" to the photo making it that much easier to find it in the future. There are a number of catalogue systems available on the market today so finding one that fits your budget and needs should not be a problem.
So there it is, several different ways to back up your cherished photographic memories. There is really no good excuse for not having them survive your most catastrophic failure, whatever that may be. Don't become a statistic and lose your great family memory.
Catastrophic failures happen every day in life. From hard drive failures on your computer to the tragedy of a house fire, and almost every time one of these unfortunate events takes place the words you hear most are "What about all my pictures." We are a very visual species and we cherish our memories that are usually immortalised in a photo or video and when we lose those we feel a great emptiness. Why is it then that we don't look after these things better?
Today's digital age is allowing options for looking after our photos that never existed to our forefathers. I use my laptop as a first copy of all my photos. I then back them up immediately onto my external hard drive that stays in my laptop bag, when not in use, so if something happens to my home then I can hopefully grab that one bag and exit my home. From there I burn my photos monthly to DVD and have two copies. One stays at my home and the other off site.
There are other options such as clouds, multiple hard drives, and others. What works for one may not work for another, a cloud for instance would not work for me due to the sheer volume of photos I would be trying to store. The important thing here is to remember have at minimum two copies of your cherished photos, you don't want to be a statistic of someone else who lost all their photographic memories.The second part of backing up your photos is keeping them organised. One way is create a catalogue system according to shoot date. My system is to save all my photos on my laptop and external hard drive at the same time according to year_month_day_and description of the shot. You can see this below.
So there it is, several different ways to back up your cherished photographic memories. There is really no good excuse for not having them survive your most catastrophic failure, whatever that may be. Don't become a statistic and lose your great family memory.
Tuesday, 11 February 2014
Is RAW Right For You
You have your SLR Camera. You understand some of your manual settings. Now the question is what is RAW, why shoot in RAW why not just shoot in jpeg. RAW is a professional photo format right. Absolutely not. Read this week's blog to understand why shooting RAW will help you improve your photography and smooth out your editing problems.
Most SLR cameras and some higher end point and shoots allow you to shoot in jpeg format or RAW, and the biggest difference between the two formats is the amount of information that is stored. On my Canon I have the ability to shoot both at the same time which is the preference I use. The true beauty of shooting in RAW is you can control so much more of your post production work. Whenever you make adjustments to a photo in jpeg and save the file you lose just a little more information at a time, something to do with pixels being compressed. Let's face it there is nothing more frustrating than taking a photo and when you download it from the memory card you realize the white balance was a little off, or your exposure was over/under by a half stop, or any other little detail that might make the shot mediocre at best. After all you took your time, composed the shot, checked your white balance and your exposure, it should have been perfect but it's just off by a bit. In steps post production, you can see 7 Steps to Lightroom Magic for some tips. Post production is your friend and nothing makes it easier than working with a RAW file, the amount of detail that is captured and can be brought out of a photo is amazing.
This photo was taken at Harrison Lake, a place I love to wander around, and was all but lost due to the underexposure of the shot. It was a very bright back light that caused this couple, enjoying the rainy day, to become significantly underexpose. Now I realized this as soon as the shot was taken but before I could correct the problem they moved on. This is not a problem for me as I do shoot RAW and I knew that although the camera exposure sensor was tricked I could fix the photo in Lightroom and save this very candid moment. That's what the value of RAW is, saving a photo that needs just a bit of help.
There are other values to shooting RAW that I have not gotten into this week. Perhaps another time I will revisit this subject. If there is a question about the RAW vs. Jpeg please leave a comment or drop me a line.
Most SLR cameras and some higher end point and shoots allow you to shoot in jpeg format or RAW, and the biggest difference between the two formats is the amount of information that is stored. On my Canon I have the ability to shoot both at the same time which is the preference I use. The true beauty of shooting in RAW is you can control so much more of your post production work. Whenever you make adjustments to a photo in jpeg and save the file you lose just a little more information at a time, something to do with pixels being compressed. Let's face it there is nothing more frustrating than taking a photo and when you download it from the memory card you realize the white balance was a little off, or your exposure was over/under by a half stop, or any other little detail that might make the shot mediocre at best. After all you took your time, composed the shot, checked your white balance and your exposure, it should have been perfect but it's just off by a bit. In steps post production, you can see 7 Steps to Lightroom Magic for some tips. Post production is your friend and nothing makes it easier than working with a RAW file, the amount of detail that is captured and can be brought out of a photo is amazing.
This photo was taken at Harrison Lake, a place I love to wander around, and was all but lost due to the underexposure of the shot. It was a very bright back light that caused this couple, enjoying the rainy day, to become significantly underexpose. Now I realized this as soon as the shot was taken but before I could correct the problem they moved on. This is not a problem for me as I do shoot RAW and I knew that although the camera exposure sensor was tricked I could fix the photo in Lightroom and save this very candid moment. That's what the value of RAW is, saving a photo that needs just a bit of help.There are other values to shooting RAW that I have not gotten into this week. Perhaps another time I will revisit this subject. If there is a question about the RAW vs. Jpeg please leave a comment or drop me a line.
Labels:
candid photography,
christopher films,
editing,
Harrison,
Hotsprings,
jpeg,
Lightroom,
manual mode,
RAW
Location:
Fraser Valley C, BC, Canada
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